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Free for Commercial Use

Sans Normal Abdah 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Frutiger', 'Neue Frutiger', 'Neue Frutiger Cyrillic', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', 'Neue Frutiger Thai', 'Neue Frutiger Variable', and 'Neue Frutiger Vietnamese' by Linotype and 'Neue Frutiger World' by Monotype (names referenced only for comparison).

Keywords: editorial, branding, posters, headlines, ui text, modern, clean, dynamic, neutral, clarity, emphasis, modernity, versatility, oblique, humanist, open apertures, rounded terminals, smooth curves.


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This typeface is an oblique sans with smooth, rounded curves and low-contrast strokes. The letterforms lean consistently forward, with clean joins and mostly softened terminals that keep the texture even in running text. Counters are fairly open (notably in forms like C, G, e, and s), and the overall construction balances circular bowls with gently flattened curves for a contemporary, legible rhythm. Numerals follow the same slanted, simplified approach, reading clearly without ornamental detail.

It works well for editorial typography, marketing copy, and brand systems that want a clean sans voice with built-in emphasis from the slant. The even texture also suits UI and product text where a modern, unobtrusive sans is preferred, while the oblique stance can help headlines and callouts stand apart without switching families.

The overall tone is contemporary and straightforward, with the slant adding a sense of motion and emphasis. It feels professional rather than decorative, suitable for interfaces and editorial settings where a modern, energetic voice is needed without sacrificing clarity.

The design appears intended as a modern oblique companion for general-purpose sans typography, prioritizing clarity, smooth curves, and an energetic forward lean. It aims to provide readable text and confident display performance with minimal stylistic baggage.

The sample text shows stable spacing and a smooth grayscale, with the oblique angle providing hierarchy and emphasis even at larger paragraph sizes. Uppercase shapes remain simple and uncluttered, while lowercase forms retain clear differentiation, supporting comfortable continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸