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Free for Commercial Use

Sans Normal Limad 8 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Balloon' by Bitstream, 'Balloon EF' by Elsner+Flake, 'Longreach' by Hanoded, 'Balloon Pro' by SoftMaker, and 'Balloon' by Tilde (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, playful, energetic, retro, punchy, impact, motion, approachability, display clarity, brand punch, slanted, rounded, chunky, soft corners, dynamic.


Free for commercial use
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A heavy, slanted sans with rounded contours and compact, tightly controlled counters. Strokes stay broadly uniform with only subtle modulation, giving the letterforms a dense, blocky color on the page. Curves are generously inflated (notably in C, G, O, S, and the numerals), while joins and terminals tend toward softened, slightly tapered ends rather than sharp cuts. The lowercase keeps a sturdy, upright structure within the overall slant, with short ascenders/descenders relative to the cap height and a sturdy, closed-in feel at text sizes.

This font is strongest in display settings such as headlines, posters, large labels, and high-impact signage where its dense weight and slanted momentum can carry a message. It can also suit sporty branding, event graphics, and packaging that benefits from bold, friendly emphasis. For longer passages, more generous leading and tracking will help maintain clarity.

The overall tone is energetic and extroverted, with a sporty, poster-like presence that reads as upbeat rather than formal. Its slant and hefty weight create a sense of motion, while the rounded geometry keeps it friendly and accessible. The result feels well suited to bold, attention-grabbing messaging with a touch of retro playfulness.

The design appears intended to deliver maximum visual impact with a fast, forward-leaning stance and rounded, approachable shapes. It prioritizes bold readability and a lively rhythm, aiming to feel contemporary and energetic while nodding to classic athletic and poster typography.

Spacing appears intentionally tight and the internal whitespace is modest, so the face reads best when given room (especially in longer words or dense lines). Numerals are heavy and rounded, matching the letterforms closely, and the overall rhythm favors impact over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸