Font Hero

Free for Commercial Use

Sans Superellipse Ibkat 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'CamingoDos Condensed' and 'CamingoDos SemiCondensed' by Jan Fromm, 'Corpid' and 'TheSans' by LucasFonts, and 'Akwe Pro' by ROHH (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, punchy, sturdy, playful, retro, display impact, approachability, geometric clarity, brand voice, soft corners, blunt terminals, compact, chunky, geometric.


Free for commercial use
Customize the font name

A dense, heavy sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and largely uniform, with blunt terminals and compact counters that create a strong, ink-trap-free silhouette at display sizes. Round letters like O, C, and G read as squarish superellipses, while verticals remain straight and steady, giving the overall texture a firm, blocky rhythm. Numerals follow the same compact, robust logic, with wide proportions and simplified interior space for a solid, poster-like presence.

Best suited to headlines, posters, packaging, and branding where a compact, high-impact word shape is desirable. It can also work for signage and short UI labels when a friendly, chunky tone is needed, but its tight counters and heavy color are most effective at larger sizes.

The tone is bold and approachable, combining a friendly softness from the rounded corners with an assertive, high-impact voice. It suggests a playful, slightly retro sign-and-poster energy rather than a neutral corporate feel, and it reads as confident and attention-grabbing in short phrases.

The design appears intended to deliver maximum visual punch with a soft-edged geometric voice, using superelliptical rounds and blunt terminals to keep forms approachable while maintaining strong, solid readability in display contexts.

Letterforms show a noticeable preference for broad, flattened curves and tight apertures, which increases visual weight and makes spacing feel compact and energetic. The overall impression is cohesive and highly stylized, prioritizing graphic impact over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸