Sans Superellipse Okmar 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'AG Bambook' by Alexandr Galuzin, 'Cream Opera' by Factory738, 'Autogate' by Letterhend, and 'Highriser' by Nicolas Deslé (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, friendly, retro, industrial, utilitarian, confident, impact, space saving, clarity, approachability, rounded, soft corners, compact, vertical stress, sturdy.
This typeface is a compact sans with squared, superelliptical construction and generously rounded corners throughout. Strokes are consistently heavy and even, producing strong color and steady rhythm in text. Counters tend toward rounded-rectangles, with narrow apertures and a notably tall, condensed stance that keeps letters tight and vertical. Terminals are blunt and softened rather than sharply cut, and the overall geometry leans more rectangular than circular, especially in bowls and curves.
Best suited to headlines and short blocks of copy where strong presence and compact width are useful. It can work well for signage, packaging, and brand systems that want a sturdy, rounded industrial feel, and it holds up clearly in large-scale applications and UI-style labels.
The overall tone feels friendly and approachable while still reading as sturdy and workmanlike. Its rounded-rectangle shapes evoke mid-century and industrial signage cues, giving it a subtly retro, utilitarian character that stays clean and contemporary.
The design appears aimed at delivering a high-impact, space-efficient sans with softened geometry—combining condensed proportions with rounded-rectangle forms to stay readable, friendly, and robust across display contexts.
In the samples, the dense spacing and tight apertures create a solid, poster-like texture at larger sizes. The figures share the same compact, rounded-square logic as the letters, keeping the set visually unified and consistent.