Sans Normal Osbuf 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Altersan' by Eko Bimantara, 'Malva' by Harbor Type, 'Famiar' by Mans Greback, 'Core Sans A' by S-Core, 'Ebony' by TypeTogether, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, sporty, impact, clarity, display, bold branding, blocky, rounded, compact, sturdy, high-impact.
This typeface is built with heavy, even strokes and broad proportions, producing a dense, graphic silhouette. Curves are smooth and generously rounded while joins and terminals stay clean and direct, giving the letters a sturdy, constructed feel. Counters are relatively tight for the weight, and the overall rhythm is stable and consistent, with clear, simple shapes that hold up well at large sizes. Figures and capitals read as bold, poster-like forms with minimal fuss and a strong baseline presence.
Best suited to headlines, display typography, and large-scale applications where a strong, high-impact voice is needed—such as posters, signage, packaging, and bold brand wordmarks. It can also work for short bursts of text like labels, UI callouts, and promotional copy, where emphasis and clarity are more important than long-form reading comfort.
The overall tone is loud and assured, with an approachable friendliness from the rounded forms. It feels contemporary and energetic, leaning toward a sporty, promotional voice rather than a quiet, editorial one. The weight and width combine to project emphasis and immediacy.
The design appears intended to deliver maximum presence with simple, rounded geometry and a highly uniform stroke treatment. It prioritizes bold legibility and a confident, contemporary look, aiming for straightforward shapes that reproduce consistently across sizes and media.
In the text sample, the dense color and compact internal spaces make it especially striking in headlines, where the large forms feel solid and cohesive. Short words and all-caps settings look particularly forceful, while longer paragraphs quickly become visually heavy due to the strong typographic color.