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Sans Normal Tonan 1 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, magazines, branding, posters, packaging, editorial, luxury, fashion, dramatic, refined, display impact, luxury tone, editorial voice, modern elegance, brand distinction, high-contrast, sculptural, calligraphic, crisp, sharp.


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This typeface is built around extreme thick–thin modulation, pairing broad vertical strokes with hairline horizontals and diagonals. Many joins resolve into needle-like terminals and pointed notches, giving the contours a cut, blade-like finish rather than rounded softness. Curves are taut and elliptical, counters are generally open, and spacing feels display-oriented with noticeable changes in apparent “color” from glyph to glyph due to the strong contrast and varying internal shapes. The lowercase shows a mix of compact bowls and narrow stems, while figures and capitals emphasize tall, stately silhouettes.

Best suited to large-scale settings such as magazine titles, editorial headlines, brand marks, campaign posters, and premium packaging where its hairline details can remain clear. It can work for short text accents or pull quotes, but its strongest performance is in display typography with generous size and contrast.

The overall tone is glamorous and editorial, with a dramatic, high-fashion presence. The razor-thin details add a sense of delicacy and precision, while the heavy strokes keep it bold and attention-grabbing. It reads as modern and sophisticated, leaning more toward headline impact than quiet neutrality.

The design appears intended to deliver a contemporary, couture-like display voice: classic high-contrast principles pushed toward sharper terminals and cleaner geometry for a modern, attention-centric feel. Its stylized cuts and hairline features suggest an emphasis on visual drama and distinctive silhouette over all-purpose text utility.

The thinnest strokes become extremely fine, especially in crossbars and diagonals, creating a striking shimmer in text but also making the design feel intentionally fragile at small sizes. Several forms incorporate sharp internal angles and tapered cuts that heighten the sense of motion and stylization.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸