Sans Superellipse Fygis 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Gilam' by Fontfabric, 'Bega' by Indian Type Foundry, 'Danos' by Katatrad, 'Metronic Pro' by Mostardesign, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).
Keywords: headlines, sports branding, posters, advertising, packaging, sporty, dynamic, punchy, confident, modern, impact, speed, modernization, approachability, branding, rounded, oblique, chunky, compact, soft-cornered.
A heavy, slanted sans with compact, rounded forms and a tightly controlled, monoline feel. Curves read as squarish rounds (superellipse-like), giving bowls and counters a soft-rectangular geometry rather than perfect circles. Terminals are broadly cut and clean, joins are sturdy, and the overall silhouette stays dense and stable, with relatively small counters that emphasize impact. The rhythm is assertive and forward-leaning, with consistent stroke weight and smooth curvature that keeps the texture even at large sizes.
Best suited to large-scale applications where impact and momentum matter, such as sports identities, event posters, promotional headlines, and bold packaging callouts. It also works well for short UI labels or buttons when a strong, energetic voice is desired, though its dense counters suggest avoiding very small sizes for extended text.
The tone is energetic and athletic, combining bold mass with softened corners for an approachable kind of strength. The pronounced slant adds motion and urgency, while the rounded geometry keeps it friendly rather than aggressive. Overall it feels contemporary, performance-oriented, and built to grab attention quickly.
The design appears intended to deliver maximum presence with a streamlined, rounded-rectangle construction and a built-in sense of motion from the slant. It prioritizes strong silhouettes, quick recognition, and a contemporary, sporty character while keeping edges softened for approachability.
Uppercase shapes are broad and blocky with rounded corners, while lowercase maintains the same compactness and sturdy construction; numerals match the weight and forward angle for a cohesive, headline-ready set. The italic angle is strong enough to read as intentionally dynamic, not merely a subtle oblique.