Font Hero

Free for Commercial Use

Sans Normal Kamoh 4 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Zin Sans' by CarnokyType, 'Remoto' by JAM Type Design, 'Giga Sans' by Locomotype, and 'Monni' and 'Neue June' by Matt Chansky (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, confident, modern, energetic, friendly, attention, emphasis, motion, impact, approachability, oblique, heavyweight, rounded, soft corners, compact counters.


Free for commercial use
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A heavy, oblique sans with broad proportions and a tall lowercase structure. Strokes are monolinear and highly uniform, with rounded joins and softened terminals that keep the shapes smooth despite the dense weight. Counters are relatively tight and apertures are modest, giving the face a solid, poster-ready texture. Curves are full and circular in letters like O and Q, while diagonals in forms like A, V, W, X and Y maintain a steady slant and a clean, engineered rhythm.

Best suited to display typography where impact and immediacy are the priority: headlines, posters, brand marks, and bold packaging panels. The strong weight and wide stance also fit sports and active-lifestyle communications, as well as UI moments that call for emphatic labels or hero text. For longer lines of copy, increased letterspacing and generous line spacing will help maintain clarity.

The overall tone is bold and assertive, with an energetic forward-lean that feels active and contemporary. Rounded details add approachability, balancing the strong weight with a friendly, inclusive voice. It reads as confident and promotional, suited to attention-grabbing messaging rather than quiet neutrality.

The design appears intended to deliver maximum visual presence with a smooth, modern silhouette—combining a powerful typographic color with friendly, rounded construction. The oblique stance suggests motion and emphasis, aiming for clear, energetic communication in branding and display contexts.

The italic construction appears true-drawn rather than mechanically slanted, with consistent oblique logic across rounds and diagonals. Numerals match the headline weight and width, creating a uniform color that holds up well at large sizes, though the tight interior spaces suggest extra tracking may help in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸