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Free for Commercial Use

Sans Normal Ogvy 1 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Cobane' and 'BR Hendrix' by Brink, 'Candid' by Lucas Tillian, 'Goga' by Narrow Type, 'Mundial Narrow' by TipoType, and 'Gordita' by Type Atelier (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, editorial display, playful, friendly, punchy, retro, impact, approachability, character, display clarity, rounded, chunky, soft, compact, bubbly.


Free for commercial use
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A heavy, rounded sans with broad, smooth curves and sturdy verticals that create a dense, poster-like texture. Counters are relatively tight and often asymmetric, giving letters a slightly swollen, hand-cut feel while staying clean and consistent. Terminals are mostly blunt with softened edges, and several joins show subtle notches or ink-trap-like pinches that add character. Lowercase forms lean toward single-storey constructions (notably a and g), with a compact rhythm and strong, stable baselines.

This font is best suited to headlines, posters, packaging, and logo wordmarks where bold, friendly impact is needed. It can work for short editorial callouts or social graphics, especially when set with generous spacing and ample size. For extended reading, it’s most effective in brief bursts (titles, labels, pull quotes) rather than long paragraphs.

The overall tone is upbeat and approachable, combining a retro display energy with a toy-like softness. Its chunky silhouettes feel confident and a bit cheeky, making text look inviting rather than formal. The small quirks in joins and counters add personality without becoming messy.

The design appears intended to deliver a strong, attention-grabbing display voice while staying warm and approachable through rounded geometry. Its compact counters and subtle notches suggest a deliberate effort to add character and improve clarity at large sizes without relying on decorative flourishes.

The uppercase reads with strong geometric presence, while the lowercase introduces more idiosyncratic shapes that increase charm in headlines and short lines. Numerals match the same rounded, heavy construction, maintaining a consistent color across mixed alphanumeric settings. In longer sample text, the weight produces a dark mass that emphasizes impact over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸