Sans Superellipse Etliy 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Coast' by Groupe Dejour, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Base Neue' by Power Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, urgent, assertive, industrial, retro, impact, speed, space-saving, branding, display, condensed, oblique, blocky, rounded, compact.
A compact, heavy sans with a pronounced oblique slant and tightly packed proportions. Strokes are uniform and chunky, with rounded-rectangle (superelliptical) curves that keep counters clean and enclosed rather than open. The letterforms feel engineered and slightly squared-off, with crisp terminals and a strong, forward-leaning rhythm; joints and diagonals are firm and angular while bowls and rounded characters retain a soft-cornered geometry. Numerals match the same dense, sturdy construction for consistent color in display settings.
Works best for bold headlines, event posters, and attention-grabbing brand marks where a sense of speed and strength is desired. It also fits packaging, labels, and merchandising graphics that benefit from compact, high-impact typography, and can serve as a distinctive logo type where condensed, slanted forms help save space.
The overall tone is fast and forceful, evoking sports branding, motorsport numerals, and high-impact headlines. Its oblique stance adds motion and urgency, while the rounded-square curves keep it approachable rather than sharp or aggressive.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a forward-leaning stance with rounded-square construction for a modern, athletic feel. Its consistent stroke weight and compact counters suggest a focus on punchy display performance and strong visual presence.
The dense blackness and compact counters favor large sizes and short bursts of text. The oblique angle and condensed width create a strong directional flow, making it effective for emphasis but potentially busy in long passages or small UI sizes.