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Sans Superellipse Gedey 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk W1G' by Berthold, 'FX Neofara' by Differentialtype, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Chandler Mountain' by Mega Type, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, punchy, confident, modern, impact, emphasis, speed, modern branding, headline strength, oblique, rounded, compact, blocky, industrial.


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A heavy, forward-leaning sans with compact proportions and rounded-rectangle construction throughout. Strokes are thick and even, with minimal modulation and consistently softened corners that keep the forms sturdy rather than sharp. Curves (C, G, O, Q, e) read as superelliptical, while diagonals (A, K, V, W, X, Y) are broad and stable, creating a strong, slanted rhythm. Counters are relatively tight but clear at display sizes, and terminals tend to be blunt or gently rounded, reinforcing a dense, engineered silhouette.

Best suited to display applications where bold, fast-moving emphasis is needed—headlines, poster typography, promotional banners, and sports or automotive branding. It can also work for packaging and wayfinding where compact, high-contrast silhouette recognition matters, especially at larger sizes.

The overall tone is energetic and assertive, like headline lettering built for speed and impact. Its oblique stance and compact mass give it a sporty, performance-oriented feel, while the rounded geometry keeps it approachable rather than aggressive. The result reads contemporary and utilitarian, with a confident, high-visibility presence.

This design appears intended as an impact-driven oblique sans that merges rounded-rectangle geometry with a dense, high-ink footprint. The goal is likely strong attention capture and a cohesive, modern system look across letters and numerals, with an emphasis on momentum and sturdiness.

The numerals and uppercase share the same wide-shouldered, squared-off curvature, producing a consistent set for branding systems. In text, the strong slant and dense color create a pronounced texture that favors short lines and emphatic messaging over long-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸