Sans Normal Ohmoj 13 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Innova' by Durotype, 'Catesque' by Gumpita Rahayu, 'Kirshaw' by Kirk Font Studio, 'MVB Solitaire Pro' by MVB, 'Corbert Condensed' by The Northern Block, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, confident, friendly, pragmatic, clean, clarity, impact, approachability, versatility, rounded, geometric, solid, compact, high-impact.
A heavy, rounded sans with a geometric skeleton and smooth, continuous curves. Strokes are broadly consistent with little apparent modulation, producing dark, even color and compact counters. Terminals are clean and largely flat or gently softened rather than sharply cut, while bowls and rounds stay close to circular forms. Spacing and rhythm feel steady and utilitarian, with numerals and capitals designed to read clearly at display sizes.
Best suited to headlines, short statements, and large-scale applications where strong presence and quick recognition matter. It also works well for branding systems, packaging, and signage that benefit from a clear, contemporary voice. In dense text blocks it will read forcefully due to its dark color, making it more comfortable for emphasis than long-form body copy.
The overall tone is modern and straightforward, with a friendly softness coming from the rounded geometry. Its dense weight and clean construction communicate confidence and clarity, leaning more practical than expressive. It feels contemporary and no-nonsense, suited to messaging that needs to be immediately legible and assertive.
The design appears intended to deliver a clear, contemporary sans that feels approachable without losing authority. Its rounded, geometric construction prioritizes immediate legibility and consistent texture, aiming for broad usability in modern display and branding contexts.
The sample text shows strong word-shape clarity and consistent alignment, with a distinctly compact interior space in letters like a, e, s, and 8. The uppercase forms are sturdy and blocky, while the lowercase maintains a simple, functional structure that keeps texture uniform across lines.