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Free for Commercial Use

Sans Faceted Asjo 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Geogrotesque Sharp' by Emtype Foundry, 'Navine' by OneSevenPointFive, 'Manual' by TypeUnion, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, signage, athletic, industrial, assertive, retro, rugged, impact, ruggedness, sportiness, geometric texture, signage clarity, octagonal, blocky, chamfered, compact, mechanical.


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A heavy, block-built sans with planar chamfers that replace curves, giving most forms an octagonal, cut-corner silhouette. Strokes are uniformly thick with crisp right angles and faceted terminals; counters tend toward rectangular or squared-off shapes. Uppercase letters read compact and sturdy, while the lowercase is similarly geometric with simple construction and minimal modulation. The numerals follow the same chopped geometry, producing a consistent, high-impact rhythm across lines of text.

Best suited to high-impact display roles such as team marks, event posters, bold headlines, and product packaging where the angular, cut-corner aesthetic can carry the design. It can also work well for short labels or signage that benefits from a sturdy, mechanical look and strong presence at larger sizes.

The faceted construction conveys a tough, no-nonsense tone associated with sports lettering, equipment labeling, and industrial signage. Its sharp corners and dense mass feel energetic and forceful, with a slight retro varsity flavor.

The design appears intended to deliver a compact, powerful sans with a consistent faceted motif—capturing the visual language of cut metal, athletic block letters, and industrial stenciling without relying on curves. Its primary goal is strong visibility and a distinctive angular texture in display typography.

Diagonal joins appear in letters like K, M, N, V, W, X, and Y, where angled strokes meet with clean, machined-looking intersections rather than softened joints. Punctuation and small details (like i/j dots) are rendered as squared elements, reinforcing the strict geometric theme. In longer text, the bold color and angular rhythm dominate, making it better suited to display settings than extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸