Sans Superellipse Udkah 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Polin Sans' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app ui, sporty, assertive, energetic, contemporary, urban, impact, speed, modernity, approachability, branding, oblique, compact, rounded, blocky, high impact.
A compact, oblique sans with heavy, nearly monoline strokes and broadly rounded corners. Curves and counters lean toward rounded-rectangle geometry, giving letters a soft-edged, superelliptical feel while maintaining firm, blocky silhouettes. Terminals are blunt and consistently rounded, with tight apertures and counters that stay open enough for headline use. The overall rhythm is dense and forward-leaning, with sturdy verticals and simplified joins that prioritize punch over delicacy.
Best suited to short, high-impact settings such as headlines, posters, sports or fitness branding, product packaging, and promotional graphics. It can also work for bold UI elements (buttons, labels, navigation) where a compact, energetic voice is desired. For longer passages, it will be most effective at larger sizes where the tight interior spaces remain clear.
The slanted, weighty forms convey speed and confidence, reading as energetic and athletic rather than formal. Rounded corners temper the aggressiveness, adding a friendly, modern tone suitable for bold messaging. Overall it feels contemporary and attention-seeking, with a strong sense of motion.
The design appears intended to deliver maximum impact in a compact footprint, combining a forward oblique stance with rounded-rectangle construction for a modern, sporty presence. It aims for quick recognition and strong typographic color, with softened geometry to keep the tone approachable.
Uppercase shapes are straightforward and geometric with softened corners, while lowercase forms keep the same chunky construction and compact spacing. Figures are thick and stable, matching the headline-oriented color of the letters. The oblique angle is consistent across the set, reinforcing a cohesive, forward-driven texture in text.