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Free for Commercial Use

Sans Normal Irsa 5 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Artegra Soft' and 'Dexa Round' by Artegra, 'Chella' by Melvastype, and 'Puck' by Type.p (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, social media, playful, friendly, retro, punchy, cheerful, impact, approachability, motion, personality, display, rounded, soft, bouncy, chunky, quirky.


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A heavy, slanted sans with rounded, swelling strokes and softly blunted terminals. Counters are open and generally round, giving letters a compact, inflated feel, while the stroke rhythm suggests a subtle brush-like motion rather than rigid geometry. Curves dominate, with occasional wedge-like joins and slightly irregular shaping that adds animation to the silhouettes. The overall texture is dense and dark, but the forms stay readable thanks to generous internal space and clear separation between strokes.

Well suited to headlines, short slogans, packaging callouts, and brand marks that want a friendly, energetic tone. Its strong presence works especially well in posters and social media graphics where quick impact matters, and it can add warmth to playful UI accents or promotional material when used sparingly.

The font reads as upbeat and approachable, with a buoyant, slightly vintage personality. Its italic slant and rounded massing create a sense of motion and warmth, leaning more toward informal, fun messaging than sober neutrality. The quirky, soft shapes give it a characterful voice that feels energetic and inviting.

The design appears intended to deliver a bold, approachable display voice through rounded forms and an animated slant, prioritizing personality and impact over strict neutrality. Its softened terminals and buoyant rhythm suggest a goal of creating a cheerful, inviting tone that remains legible in short-to-medium text runs.

Letterforms show noticeable individuality (e.g., the curled tail in the lowercase “y” and the lively diagonal constructions in “k” and “x”), contributing to a hand-leaning, display-forward texture. Numerals follow the same rounded, weighty logic and remain bold and attention-grabbing in a line of text. Tight inner curves and heavy joins suggest it will perform best when given a bit of breathing room in spacing and at sizes where counters stay clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸