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Free for Commercial Use

Sans Normal Udbev 3 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Kiva Sans' by Kosinsky, 'Neue Magnat Text' by René Bieder, 'Lark' by Shana Hu, 'Blacker Sans Pro' by Zetafonts, and 'Mumford' by fragTYPE (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, modern, confident, clean, friendly, neutral, impact, clarity, contemporary branding, accessibility, geometric, round, monolinear, open counters, high legibility.


Free for commercial use
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This typeface is a heavy, geometric sans with predominantly uniform stroke widths and smoothly rounded curves. Letterforms are broad and stable, with generous internal counters and clear apertures that keep shapes open at display sizes and in longer text. The construction favors simple geometry—near-circular bowls (O, C, G, 8) and straight, decisive stems and arms—while terminals are clean and unadorned. Spacing and rhythm read even and assertive, and the numerals follow the same sturdy, straightforward drawing with clear differentiation between forms.

It performs best in headlines, titles, and brand marks where a strong, wide stance creates impact. The clean geometry and open counters also make it suitable for signage and packaging that needs quick recognition at a glance, and for short UI or marketing copy where a sturdy sans presence is desired.

The overall tone is modern and self-assured, with a clean, contemporary clarity. Rounded geometry adds approachability, while the weight and width lend a strong, headline-ready presence without feeling aggressive. It communicates a neutral, utilitarian confidence suited to mainstream branding and interface contexts.

The design appears intended to deliver a contemporary, no-nonsense sans voice with geometric cleanliness and strong presence. Its wide proportions and simplified, consistent drawing prioritize clarity and impact, balancing friendliness from rounded forms with the authority of a heavy weight.

Uppercase shapes feel especially solid and architectural, while the lowercase maintains a familiar, readable silhouette with simple, uncluttered details. The design avoids quirky gestures, keeping emphasis on consistency and straightforward legibility across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸