Sans Superellipse Ipdy 1 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Blak' by Extratype and '1312 Sugoi' by Ezequiel Filoni (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, logos, sporty, aggressive, energetic, retro, technical, impact, speed, branding, display, slanted, extended, rounded corners, blocky, compact apertures.
A heavy, slanted sans with extended proportions and a pronounced superelliptical construction. Strokes are thick and fairly uniform, with corners consistently rounded into squared-off curves, giving letters a machined, molded feel rather than a geometric circle-based one. Counters and apertures are tight and rectangular, and many joins resolve into sharp, wedge-like cuts that emphasize forward motion. The rhythm is dense and compact in the interior spaces, while the overall silhouettes stay broad and stable, producing strong word shapes at display sizes.
Best suited to sports branding, motorsport/racing graphics, esports and action-themed media, and high-impact headlines on posters, packaging, or social assets. It holds up well in short phrases, titles, and logo-style lockups where the dense counters and heavy weight can read cleanly. For longer text, it will work more as a punchy display voice than a body-text companion.
The overall tone is fast, forceful, and competitive, with a clear motorsport/athletics energy. Its forward slant and compressed internal spaces convey urgency and impact, while the rounded-rectangle softness keeps it from feeling overly harsh. The result reads as bold, action-oriented, and slightly retro-futuristic.
The letterforms appear designed to deliver maximum impact with a sense of speed, using extended width, an italic slant, and rounded-rectangle geometry to create a cohesive, high-energy display style. The tight counters and wedge-like cuts suggest an emphasis on bold, branded shapes that stay recognizable in large-scale graphic applications.
The design leans on strong horizontals and diagonals, and several forms use notched or stepped terminals that add a stencil-like, performance branding flavor without becoming an actual stencil. Numerals match the blocky, rounded-rect logic and maintain the same tight counter treatment, supporting cohesive headline composition.