Slab Square Pela 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Jolly Good Proper Serif' and 'JollyGood Serif' by Letradora (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, woodtype, retro, poster, friendly, punchy, impact, nostalgia, clarity, stability, display, chunky, blocky, bracketed, sturdy, softened.
A heavy, compact slab-serif with broad proportions and a firmly grounded stance. Strokes are thick and even, with minimal modulation, and the slab serifs read as substantial blocks with lightly softened corners rather than razor-sharp edges. Curves are generous and round (notably in C, O, and S), while joins and terminals keep a squared-off, engineered feel. Spacing appears open and readable for a display face, with a consistent, no-nonsense rhythm across caps, lowercase, and figures.
This font is best suited to headlines and short-to-medium display text where its thick slabs and wide forms can create instant impact. It works well for posters, packaging, signage, and branding systems that want a retro-industrial or print-shop flavor, and it can also serve as an attention-grabbing typographic accent alongside a simpler text face.
The overall tone feels like vintage poster and woodtype-inspired printing: sturdy, approachable, and emphatic. Its bold shapes and squared terminals give it a confident, workmanlike character, while the rounded curves keep it from feeling harsh. The result is a nostalgic, Americana-leaning voice that still reads clearly and directly.
The design appears intended to evoke robust, traditional slab-serif display typography—prioritizing punch, legibility at large sizes, and a familiar vintage print feel. Its consistent stroke weight and squared terminals suggest a focus on strong silhouettes and dependable readability in bold, graphic compositions.
The lowercase shows a straightforward, utilitarian construction with strong verticals and prominent feet, reinforcing the sturdy texture in paragraphs. Numerals are equally weighty and attention-grabbing, suited to big, high-contrast settings where the chunky silhouettes can do the work.