Sans Normal Tynun 7 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, punchy, retro, cheerful, quirky, distinctiveness, display impact, graphic texture, brand voice, geometric, rounded, blocky, stencil-like, ink-trap accents.
A heavy, geometric sans with broad proportions and rounded, circular construction in letters like O, C, and G. Strokes are predominantly monolinear in feel but interrupted by deliberate triangular notches and slanted cuts that act like ink-trap or stencil-style interruptions, creating sharp internal highlights within otherwise soft curves. Terminals tend to be squared and blunt, with compact counters and strong figure–ground contrast; several glyphs show distinctive diagonal incisions (notably in Q, W, Z and some numerals) that add a faceted, cut-paper rhythm. Overall spacing and silhouettes read dense and sturdy, designed to hold its shape at display sizes.
Best suited to short, high-impact settings such as headlines, posters, brand marks, packaging, and campaign graphics where its distinctive cut-in details can be appreciated. It also works well for large-format signage or social graphics that benefit from a playful, geometric punch.
The tone is energetic and slightly mischievous—friendly geometric forms paired with unexpected cuts give it a modern-retro, graphic attitude. It feels attention-seeking and upbeat, with a crafted, poster-like personality rather than a neutral utilitarian voice.
The design appears intended to deliver a bold, geometric foundation while differentiating itself through repeated diagonal notches that add character, motion, and improved internal clarity in dense shapes. It prioritizes recognizability and style for display typography over quiet text neutrality.
The slashed details appear consistently as a design motif rather than incidental artifacts, giving a recognizable signature across uppercase, lowercase, and figures. Numerals are large and rounded with strong interior cutouts, reinforcing the bold display intent and the font’s graphic, emblem-like presence.