Sans Normal Kunub 15 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Nicky Sans' by Digitype Studio, 'Madani' by NamelaType, 'Daikon' by Pepper Type, 'Pulp Display' by Spilled Ink, 'Santral' by Taner Ardali, 'Mundial Narrow' by TipoType, and 'Sailec' by Type Dynamic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, energetic, contemporary, confident, friendly, impact, motion, modernity, clarity, approachability, oblique, geometric, rounded, clean, compact.
A heavy, oblique sans with smooth, geometric construction and rounded bowls. Strokes are sturdy and even, with minimal modulation and crisp, squared-off terminals that keep counters open at display sizes. The slant is consistent across capitals, lowercase, and figures, producing a forward-leaning rhythm; proportions feel slightly compact with broad curves and stable verticals that read cleanly in short lines and headings. Numerals match the letterforms in weight and angle, with simple, modern shapes and solid baseline presence.
Best suited to headlines, posters, and brand marks where an energetic, modern oblique voice is desirable. It should also work well for packaging callouts, promotional graphics, and sports or tech-adjacent identities where bold, clean shapes need to hold up at a distance.
The overall tone is modern and assertive, with a forward-leaning motion that suggests speed and momentum. Rounded forms keep it approachable, while the dense weight and clean geometry give it a confident, high-impact voice suited to contemporary branding.
The design appears intended to deliver a contemporary, high-impact sans that combines geometric clarity with an italicized sense of motion. Its sturdy strokes and rounded structure prioritize strong visibility and a friendly, modern character in display-driven typography.
Uppercase forms stay fairly straightforward and geometric, while lowercase adds friendliness through large apertures and rounded joins. The italic angle is pronounced enough to be expressive without becoming calligraphic, and spacing appears tuned for punchy display rather than extended reading at small sizes.