Sans Normal Judev 9 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'CAL iWasLike Pro' by California Type Foundry, 'Sans Atwic Modern' by Caron twice, 'FS Elliot' and 'FS Elliot Paneuropean' by Fontsmith, 'Burlingame' by Monotype, 'Identidad' by Punchform, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Eastlane' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, confident, dynamic, modern, clean, impact, motion, clarity, modernity, display, oblique, rounded, geometric, compact joints, open counters.
A heavy, oblique sans with rounded, geometric construction and smooth curves. Strokes stay largely even, with only subtle modulation, and terminals are clean and unadorned, giving a crisp silhouette. Proportions read slightly expanded with generous internal space in round letters, while diagonals (K, V, W, X, Y) feel sturdy and angular. Lowercase forms show a tall x-height and straightforward shapes, with a single-storey a and g and open apertures that keep counters clear at display sizes. Numerals are robust and simple, with round bowls and consistent stroke weight that matches the letters.
Best suited to headlines, posters, and brand moments where an assertive, modern italic voice is needed. It can also work for sports-oriented graphics, packaging callouts, and short subheads, where its heavy weight and open counters maintain clarity.
The overall tone is energetic and forward-leaning, with a confident, contemporary feel. Its italic stance and broad forms suggest speed and momentum, while the clean geometry keeps it professional rather than expressive or decorative.
This design appears intended as a contemporary, high-impact italic sans that balances geometric cleanliness with strong presence. The emphasis seems to be on legibility at larger sizes and a sense of motion for branding and promotional typography.
The oblique angle is consistent across uppercase, lowercase, and figures, creating a unified rhythm in text. Round letters (O, C, G, Q) are smooth and stable, while the stronger diagonals add punch in headlines and short phrases.