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Free for Commercial Use

Stencil Ubki 8 is a regular weight, wide, monoline, upright, normal x-height font.

Keywords: headlines, posters, branding, signage, packaging, futuristic, technical, industrial, modular, sci‑fi, display impact, stencil system, tech aesthetic, brand voice, signage clarity, geometric, clean, stenciled, rounded, constructed.


Free for commercial use
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A constructed, geometric stencil with monoline strokes and consistent, deliberate breaks that form clear bridges across bowls, counters, and joints. Curves are broadly rounded and circular, while straights are crisp and often terminate with squared ends; diagonals are clean and sharp, giving letters like A, K, N, V, W, X, and Y a precise, engineered feel. The rhythm is open and airy, with generous internal space and simplified forms that emphasize strong silhouettes over calligraphic detail. Numerals and lowercase echo the same segmented logic, producing a cohesive, system-like alphabet.

Best suited to display sizes where the stencil bridges read as intentional design features—headlines, posters, logotypes, product packaging, and environmental or wayfinding-style graphics. It can also work for short UI labels or technical diagrams when a futuristic, fabricated look is desired, but the segmented strokes will be most impactful at larger sizes.

The stencil breaks and rounded geometry create a distinctly futuristic, technical tone—more lab equipment and spacecraft labeling than traditional print. It feels modern and controlled, with an industrial edge that suggests fabrication, interface graphics, and utilitarian signage.

The design appears intended to merge a clean geometric sans with a pronounced stencil system, creating a modern alphabet that looks cut, machined, or plotted rather than drawn. Its consistent segmentation and rounded construction suggest a focus on distinctive texture, clarity of silhouette, and a contemporary sci‑fi/industrial voice.

The stencil interruptions are frequent and highly regular, becoming a defining texture in running text; this gives large settings a striking, patterned look. Many glyphs lean on near-circular bowls and simplified joins, reinforcing a modular, constructed personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸