Sans Superellipse Gireb 7 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Eurosoft' by Indian Type Foundry, 'Univia Pro' by Mostardesign, and 'Kongress' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, app headers, chunky, retro, friendly, techy, punchy, impact, brandability, retro-tech, geometric consistency, signage clarity, rounded corners, blocky, compact apertures, squared curves, soft terminals.
A heavy, block-driven sans with rounded-rectangle construction throughout. Curves resolve into squarish bowls and counters, with consistently softened corners and largely uniform stroke weight. The proportions favor broad, sturdy shapes and tight apertures, giving letters like C, G, S, and e a compact, engineered feel. Endings are mostly blunt and vertical, and diagonals (V, W, X, Y, k) read as thick wedges rather than sharp hairlines. Numerals follow the same superelliptical logic, with rounded-square 0 and sturdy, geometric forms across the set.
Best suited to headlines, signage, and short statements where its mass and rounded-square geometry can do the work of visual branding. It performs well for logos, packaging, and UI headers that want a sturdy, friendly-tech voice and strong impact.
The overall tone is bold and confident while staying approachable thanks to the rounded corners and cushioned geometry. It leans toward a retro-futuristic, arcade/industrial sensibility—playful, assertive, and highly legible at display sizes.
The type appears designed to deliver maximum presence with a distinctive rounded-rectilinear personality, prioritizing bold recognition and consistent geometric motifs over delicate detail. Its compact apertures and superelliptical forms suggest an intent to feel modern-industrial with a nostalgic display twist.
The design maintains a disciplined rhythm: repeated rounded-square counters, consistent corner radii, and compact openings create a cohesive, logo-ready texture. In longer lines the dense color and tight apertures produce a strong, poster-like presence rather than an airy text feel.