Sans Normal Relip 13 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fruitos' by Fenotype, 'Thirdlone' by Letterhend, 'MVB Embarcadero' by MVB, and 'Signal' by URW Type Foundry (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, signage, modern, friendly, confident, clean, approachable, approachability, clarity, versatility, contemporary tone, strong presence, rounded, geometric, soft corners, high legibility, even rhythm.
A sturdy sans with rounded, gently squared terminals and smooth, continuous curves. Counters are open and largely circular/elliptical, giving the design a clean geometric backbone while keeping edges softened rather than sharp. Strokes are consistently thick with minimal modulation, producing an even texture across words and lines. Proportions feel compact in the lowercase, with short extenders and a relatively low x-height, while capitals remain broad and stable; overall spacing reads generous enough to keep dense setting from clogging.
Well suited to branding and display settings where a clean, friendly sans is needed—logos, packaging, posters, and product headlines. The sturdy shapes and open counters also make it effective for short blocks of copy in UI, signage, and editorial callouts when set with comfortable tracking and leading.
The tone is modern and approachable, projecting confidence without feeling rigid. Softened corners and round counters add a friendly, slightly playful warmth, while the overall construction stays neutral and workmanlike. It gives a contemporary, practical voice suited to straightforward communication.
The design appears intended to deliver a modern geometric sans feel with softened terminals for warmth, balancing strong presence with everyday readability. It aims to be versatile for contemporary layouts—clear at a glance, consistent in texture, and visually calm in longer samples.
The letterforms favor simplified, highly legible constructions (single-storey lowercase a and g are implied by the samples), and the figures are clear and sturdy with rounded shapes. Curves and joins are smooth, lending a cohesive, polished rhythm in longer text.