Sans Normal Ufliv 4 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Relais' by Blaze Type (names referenced only for comparison).
Keywords: headlines, magazines, book titles, posters, branding, editorial, refined, authoritative, classic, formal, editorial tone, classic elegance, premium branding, strong hierarchy, sharp terminals, bracketed serifs, vertical stress, ball terminals, crisp.
This typeface shows a crisp, high-contrast build with strong vertical stems and noticeably thinner hairlines. Curved letters exhibit a pronounced vertical stress, and many forms end in sharp, tapered terminals with occasional ball-like terminals (notably in the lowercase). Serifs are present and tend to be compact and bracketed, giving the outlines a carved, precise look rather than a soft, rounded one. Proportions feel balanced and traditional, with clear, open counters and a steady rhythm across uppercase, lowercase, and figures.
This font is well-suited to headlines and display settings where its high contrast and sharp detailing can be appreciated. It also works effectively for magazine typography, book covers, and title treatments that benefit from a classic, editorial voice. For branding, it fits identities that aim for heritage, luxury, or institutional credibility.
Overall, the font reads as polished and serious, with a distinctly editorial and bookish tone. The sharp contrasts and crisp terminals add a sense of sophistication and formality, while the steady proportions keep it composed and authoritative on the page.
The design appears intended to deliver a refined, classic reading voice with a strong emphasis on contrast and crisp, engraved-like finishing. Its consistent rhythm and traditional proportions suggest a focus on editorial sophistication and authoritative presence in prominent text.
In the sample text, the design maintains clarity at larger sizes, where the contrast and serif detailing become a key part of the texture. The numerals appear elegant and consistent with the letterforms, leaning toward old-style refinement rather than purely geometric uniformity.