Stencil Abji 9 is a light, normal width, monoline, upright, normal x-height font visually similar to 'Prossimo' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, futuristic, technical, art deco, mechanical, architectural, stencil styling, tech tone, display impact, systematic geometry, geometric, modular, crisp, minimal, angular.
A geometric sans with consistent monoline strokes and deliberate stencil breaks that create clean bridges and gaps within bowls and joints. Forms lean on circular geometry (notably in C, O, Q, and numerals) paired with sharp, straight terminals and occasional tapered or pointed joins, giving many letters a constructed, modular feel. Counters are generally open and round, while several characters use split strokes and interrupted horizontals to emphasize the stencil logic. Overall spacing reads even and controlled, with a crisp, high-contrast silhouette against the page despite the light stroke weight.
Best suited to display settings such as headlines, posters, brand marks, and packaging where the stencil pattern can read clearly. It also works well for signage, wayfinding, and tech-themed interfaces or labels when set at sizes that preserve the interior bridges and gaps. For extended paragraph text, larger sizes and generous spacing help maintain smooth readability.
The stencil interruptions and precise geometry give the typeface a cool, engineered tone that feels modernist and slightly retro-futurist. It suggests instrumentation, display labeling, and design systems that value clarity and structure over warmth. The sharp cuts add a crafted, industrial edge reminiscent of cut-metal signage or template lettering.
The design appears intended to blend a clean geometric sans foundation with a purposeful stencil construction, yielding a distinctive, template-like voice. By combining round bowls with crisp cuts and modular joins, it aims to deliver a contemporary display face that feels engineered and production-ready.
Distinctive broken-stroke details show up across both cases and numerals, producing recognizable shapes that stand out in headlines. In longer text, the repeated gaps become a rhythmic texture, so the face reads most confidently when the stencil pattern is allowed to be a feature rather than a subtlety.