Sans Other Jubis 6 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, industrial, retro, technical, architectural, distinctive texture, stencil motif, deco revival, signage utility, geometric clarity, geometric, stencil-like, segmented, monoline, rounded.
A geometric sans with monoline strokes and a distinctive segmented construction: many letters and figures are interrupted by narrow vertical gaps, creating a stencil-like, inlaid look. Round forms are built from clean circular arcs, while straight stems and terminals stay crisp and unbracketed. The design leans toward simplified, constructed proportions—noticeable in the circular O/Q/0 family and the sharply structured diagonals in V/W/X/Y—producing a steady, engineered rhythm. Counters are generally open and generous, with occasional intentional breaks that become the primary identifying detail.
Best suited to headlines and short-to-medium display text where the segmented stencil detail can be appreciated. It also works well for branding marks, packaging, event graphics, and signage systems that benefit from a constructed, industrial aesthetic; for dense body copy, the intentional breaks may add visual noise at smaller sizes.
The segmented cuts give the face an industrial, retro-modern tone that recalls Art Deco signage and technical labeling. It feels precise and engineered rather than friendly or calligraphic, with a display-forward personality that reads as futuristic without being ornamental.
The font appears designed to reinterpret a clean geometric sans through a consistent set of vertical interruptions, creating a recognizable stencil/inline signature while preserving straightforward, modern letterforms. The goal seems to be strong identity and a repeatable visual motif for contemporary retro display use.
The repeated vertical cut motif appears across caps, lowercase, and numerals, helping the design stay cohesive even as it introduces deliberate discontinuities in otherwise simple shapes. In text, those breaks become more noticeable and act as a texture element, especially on rounded letters and figures like O, Q, 0, 3, 6, 8, and 9.