Sans Superellipse Gyduh 13 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nure' by FSD, 'Lustra Text' by Grype, 'Neusa Neu' by Inhouse Type, 'Hype vol 2' and 'Hype vol 3' by Positype, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: headlines, logotypes, posters, signage, ui labels, techy, confident, clean, sporty, industrial, impact, modernity, clarity, system design, branding, rounded, blocky, geometric, square-ish, compact.
A heavy, geometric sans with rounded-rectangle construction and consistently softened corners throughout. Strokes are uniform and robust, with broad bowls and squared counters that read as superelliptical rather than circular. Terminals are mostly blunt, spacing is steady, and curves transition quickly into straight segments, creating a compact, engineered rhythm. Numerals and capitals carry a sturdy, signage-like solidity, while the lowercase maintains simple, utilitarian forms with clear separation between shapes.
Best suited to headlines, branding marks, packaging, and poster typography where a strong, contemporary voice is needed. It also fits UI labels and navigation elements in tech or product contexts, especially where rounded-square geometry complements an interface or industrial design system.
The overall tone is modern and assertive, with a streamlined, tech-forward feel. Its rounded corners keep the voice approachable, while the dense weight and squared geometry add a disciplined, industrial confidence.
The font appears designed to deliver a sturdy, modern sans optimized for impact, using rounded-rectangle geometry to balance toughness with approachability. The consistent, no-nonsense construction suggests an intention toward clarity and graphic presence over calligraphic nuance.
The design emphasizes rectangular geometry in letters like O, C, D, and G, and the same squared-round logic continues into the digits. The bold presence and simplified joins suggest strong performance in short strings and large sizes where the superelliptical forms can be appreciated.