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Free for Commercial Use

Sans Normal Nomiy 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Graublau Sans Pro' by FDI, 'Latina' by Latinotype, 'Gardner Sans' by Lewis McGuffie Type, 'Immanent' by Paulo Goode, 'Foundry Sans' by The Foundry, and 'Monterchi' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, stickers, playful, friendly, chunky, retro, punchy, impact, approachability, display, retro flavor, clarity, rounded, soft corners, heavy strokes, compact counters, bouncy.


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A heavy, rounded sans with broad proportions and a soft, inflated silhouette. Strokes are thick and consistently weighted, with gently curved joins and subtly tapered terminals that keep the shapes from feeling purely geometric. Counters are relatively tight, and curves dominate over straight construction, producing a slightly bouncy rhythm across words. Uppercase forms are sturdy and simple, while lowercase shows more personality through bulbous bowls and compact apertures; numerals follow the same chunky, rounded logic for a cohesive set.

Well-suited to headlines, posters, and other high-impact display settings where a friendly, attention-grabbing voice is needed. It can also work for branding and packaging that aims for approachable boldness, as well as social graphics or stickers where chunky forms reproduce clearly.

The overall tone is cheerful and approachable, with a retro, poster-like confidence. Its bold presence feels informal and energetic, leaning toward friendly display typography rather than sober text setting.

Likely designed to deliver maximum visual impact with a warm, rounded character, combining simple sans construction with softened geometry. The goal appears to be a bold display face that feels approachable and fun while remaining clean and consistent across letters and numerals.

The design reads best when given space: large sizes emphasize the smooth curves and soft corners, while smaller sizes may feel dense due to the tight internal spaces. The sample text shows strong word-shape impact and an even color, making it effective for short, emphatic lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸