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Free for Commercial Use

Serif Normal Porep 2 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio, 'Franklin-Antiqua' by Berthold, 'Renault EF' by Elsner+Flake, 'Renault SB' by Scangraphic Digital Type Collection, and 'Renault' and 'Stencil' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, book covers, mastheads, packaging, authoritative, classic, editorial, institutional, dramatic, display impact, heritage tone, printed texture, brand authority, bracketed, ball terminals, ink traps, swash tail, vertical stress.


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A dense display serif with strongly bracketed serifs, vertical stress, and pronounced thick–thin modulation. Curves are cut with noticeable ink-trap-like notches at joins and counters, giving many letters a chiseled, slightly stencil-cut texture while keeping the overall forms conventional. The capitals are broad and weighty with compact apertures, and the lowercase shows sturdy stems, rounded bowls, and occasional ball terminals; several glyphs feature small wedge cuts and sculpted terminals that add texture without breaking legibility. Numerals follow the same high-contrast, heavy construction, with rounded forms and crisp interior cut-ins that keep counters open at large sizes.

Best suited to headlines, mastheads, posters, and book-cover typography where the strong contrast and carved detailing can read clearly. It can also work for branding and packaging that wants a traditional serif voice with extra visual bite, especially when set large with generous leading.

The overall tone is formal and commanding, with a traditional editorial voice that feels old-world and stately. The carved cut-ins and sharp joins introduce a subtle theatrical edge, suggesting printed ephemera, headlines, and heritage branding rather than quiet running text.

The design appears intended to deliver a conventional serif foundation enhanced by sculpted cut-ins and assertive contrast, creating a headline face that feels traditional yet visually sharpened for impact.

Spacing appears relatively open for such a heavy weight, helping large text blocks avoid clogging, though the internal cut-ins and tight apertures make the design most comfortable at display sizes. Distinctive details include the swash-like tail on the uppercase Q and the frequent corner notches that create a crisp, engraved rhythm across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸