Sans Superellipse Dumej 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Northpole' by 38-lineart, 'Bio Sans Soft' by Dharma Type, and 'Samplex' by Tipo Pèpel (names referenced only for comparison).
Keywords: ui text, product design, dashboards, wayfinding, branding, modern, friendly, clean, techy, neutral, clarity, approachability, system design, geometric consistency, everyday text, rounded, geometric, monoline, soft, minimal.
A rounded, geometric sans with monoline strokes and corners that resolve into smooth, superellipse-like curves. Bowls and counters are squarish-round rather than perfectly circular, creating a tidy, engineered rhythm. Terminals are consistently softened, and joins stay clean with little to no flare, giving letters a calm, uniform texture. The numeral set follows the same rounded-rectangle logic, keeping widths and curves visually consistent with the uppercase and lowercase.
Well-suited to interface typography, app and web UI, dashboards, and digital product branding where a clean, rounded sans improves approachability while staying highly legible. It also fits signage and informational graphics that benefit from consistent stroke weight and clear character shapes.
The overall tone is modern and approachable, balancing a technical, UI-ready neatness with softened edges that prevent it from feeling cold. Its even color and rounded construction communicate clarity, friendliness, and a contemporary product aesthetic.
The design appears intended to deliver a contemporary, highly legible sans whose softened, superellipse construction reads as both precise and friendly. Its consistent geometry and restrained detailing suggest a focus on dependable everyday typography for modern digital and brand environments.
Round forms like C, G, O, and Q show a distinctly squircle geometry, and the lowercase maintains the same smooth, compact construction for a cohesive text color. Diacritics and punctuation in the sample appear straightforward and unobtrusive, reinforcing the font’s utilitarian, system-like demeanor.