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Free for Commercial Use

Sans Superellipse Abrir 5 is a regular weight, wide, low contrast, upright, normal x-height, monospaced font visually similar to 'Bluset Now Mono' and 'EF Thordis Mono' by Elsner+Flake, 'FF Attribute Mono' by FontFont, and 'Bale Mono' by moretype (names referenced only for comparison).

Keywords: code ui, data tables, terminals, captions, interface, utilitarian, technical, contemporary, neutral, minimal, clarity, consistency, ui utility, grid alignment, friendly technical, rounded, blocky, modular, clean, crisp.


Free for commercial use
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This typeface is built on a modular, rounded-rectangle skeleton with consistently softened corners and even, low-contrast strokes. Forms feel square-shouldered and geometric rather than humanist, with broad counters and straightforward construction that stays very consistent across the set. Curves (like C, G, O, S) resolve into superellipse-like arcs, while straight-sided letters (E, F, H, N) keep firm verticals and flat terminals. Numerals follow the same sturdy, rounded geometry, and the overall rhythm is steady and grid-friendly.

It suits environments that benefit from strict alignment and predictable spacing, such as coding interfaces, terminal-style displays, and tabular or form-heavy UI. The broad, rounded geometry also makes it a solid choice for short labels, captions, and technical documentation where clarity and consistency matter.

The tone reads practical and no-nonsense, with a modern, industrial calm. Its rounded geometry softens the technical feel just enough to come across approachable rather than harsh, making it feel contemporary and product-oriented.

The design intention appears to be a clean, grid-based sans with rounded-square letterforms that prioritize consistency and legibility in structured layouts. By combining sturdy proportions with softened corners, it aims to feel both technical and approachable for everyday interface and system-style typography.

Punctuation and glyph details shown (such as the slashed zero and simple, squared-off terminals) reinforce a functional, legibility-first approach. The overall color on the page is strong and even, with generous internal space that helps keep dense settings from feeling cramped.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸