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Sans Normal Jalim 5 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'ATF Wedding Gothic' by ATF Collection, 'Seeker' by Asenbayu, 'Gremlin' by Hazztype, 'Organetto' by Latinotype, 'Otoiwo Grotesk' by Pepper Type, and 'Oracle' by Umka Type (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, sportswear, techy, confident, modern, sporty, industrial, impact, modernity, bold branding, display clarity, geometric consistency, geometric, rounded, compact counters, soft corners, blocky.


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A heavy, geometric sans with rounded bowls and squared-off terminals that give the letterforms a blocky, machined silhouette. Curves are built from broad arcs with tight, compact counters, while straight strokes stay uniform in thickness for a steady, low-modulation texture. The spacing and widths feel deliberately generous, producing a strong horizontal footprint; diagonals and joins (as in K, V, W, X, Y) are clean and simplified. Lowercase forms maintain a large x-height with short ascenders/descenders, keeping text dense and sturdy at display sizes.

This font is well suited for headlines, logo lockups, and large-scale messaging where maximum presence is needed. It works especially well in contemporary branding, packaging, and promotional design with an industrial or sporty angle, and in UI/wayfinding contexts where a compact, high-impact sans helps maintain clarity at larger sizes.

The overall tone is assertive and contemporary, with a sporty, tech-forward feel. Its wide stance and softened geometry read as friendly but forceful, suggesting motion, machinery, and modern product design rather than elegance or tradition.

The design appears intended to deliver a strong, modern sans voice with geometric roundness and high visual weight, optimized for standout display use. Its simplified joins, compact counters, and wide proportions suggest a focus on bold legibility and a distinctive, confident silhouette across letters and numerals.

Round letters like O and Q appear broad with small inner counters, increasing black density and impact. Numerals follow the same robust, rounded-rectangle logic, staying highly graphic and headline-oriented. The design prioritizes bold silhouette and consistency over delicate detail, making it best where shape recognition comes from mass and proportion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸