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Free for Commercial Use

Serif Humanist Obja 1 is a light, wide, very high contrast, upright, normal x-height font.

Keywords: display, headlines, book covers, posters, invitations, whimsical, storybook, antique, delicate, quirky, decorative warmth, historic flavor, expressive reading, literary charm, flared serifs, ball terminals, swash caps, calligraphic, decorative.


Free for commercial use
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This typeface presents a lightly built serif design with pronounced stroke modulation and a lively, hand-influenced rhythm. Serifs are small and often flared, with tapered joins that create an inked, slightly irregular feel rather than rigid geometry. Many capitals and a few lowercase forms incorporate curled or swashed terminals (notably on letters like C, G, J, Q, and S), giving the outlines a decorative sparkle while keeping the overall structure readable. Counters are generally open and rounded, and the numerals echo the same high-contrast logic with occasional curling terminals and a mix of straight and arced strokes.

It suits display settings where personality is an asset: headings, short passages, book and chapter titles, packaging, and event materials such as invitations or programs. In longer text, it works best at comfortable sizes and with generous spacing, where the fine hairlines and decorative terminals can remain clear.

The overall tone feels playful and old-world, like a decorative book face meant to add charm rather than strict formality. Its curled terminals and high-contrast strokes give it a theatrical, slightly magical character—more literary and illustrative than corporate or utilitarian.

The font appears designed to merge traditional serif construction with calligraphic, decorative flourishes, creating an expressive face that still holds together in continuous reading. The intention seems to be an approachable, vintage-leaning style that can add narrative flavor and visual charm without becoming fully script-like.

The design shows a consistent use of thin hairlines against sturdier stems, so spacing and size will strongly influence legibility. The distinctive swash-like details stand out most in capitals and in a few punctuation-like curls on lowercase, creating a textured color in paragraphs that reads as intentionally ornate.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸