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Sans Normal Osdib 15 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Myriad Arabic' by Adobe, 'Siro' by Dharma Type, 'Whitney' by Hoefler & Co., 'MVB Solitaire Pro' by MVB, 'Famiar' by Mans Greback, and 'Modet' by Plau (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, playful, friendly, punchy, retro, impact, approachability, display legibility, retro flavor, rounded, soft-cornered, chunky, bouncy, cheerful.


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A heavy, rounded sans with compact counters, broad bowls, and softly curved corners that keep the dense weight from feeling harsh. Strokes are consistently thick with minimal modulation, and terminals are mostly blunt, giving the letters a solid, poster-like presence. Curves tend toward near-circular geometry (notably in O/C/G and the lowercase o/e), while diagonals in A/V/W/X/Y are simplified and sturdy. The lowercase shows a single-storey a and g, short-ish ascenders, and a generally compact internal spacing that emphasizes mass and readability at larger sizes.

Best suited to headlines, posters, packaging, and branding where a strong, friendly voice is needed. The thick strokes and compact counters hold up well at large sizes and in short blocks of text, making it effective for signage, labels, and social graphics where immediate impact matters.

The overall tone is upbeat and approachable, with a slightly bouncy rhythm created by the rounded shapes and chunky proportions. It reads as casual and confident rather than formal, evoking a retro sign-painting and mid-century headline sensibility without becoming overtly decorative.

The design appears intended to deliver maximum visual impact with an inviting, rounded character—prioritizing bold legibility and a lively, consumer-friendly tone. Its simplified geometry and sturdy shapes suggest a focus on dependable display performance across attention-grabbing applications.

Figures are bold and simple, with rounded forms for 0/8/9 and more angular construction for 4/7, keeping the numeric set clear in display contexts. The punctuation and small details (like i/j dots) appear large and assertive, matching the weight and helping maintain texture in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸