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Free for Commercial Use

Sans Normal Nanon 6 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Litho Display' by Arkitype, 'Akzidenz-Grotesk Next' by Berthold, and 'Peridot Latin' and 'Peridot PE' by Foundry5 (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social ads, confident, friendly, punchy, playful, modern, impact, approachability, display clarity, brand voice, rounded, soft corners, compact apertures, heavy terminals, chunky.


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This typeface is a heavy, rounded sans with broad, compact shapes and a strongly filled-in silhouette. Curves are generously rounded and corners are softened, giving letters a smooth, molded look rather than a sharp, geometric one. Counters tend to be tight (notably in forms like a, e, s, and 8), and apertures are relatively closed, creating dense word shapes. Strokes are consistent and substantial, with short arms and simplified joins that keep the overall texture solid and blocky.

Best suited to large-size applications where impact and character are priorities: headlines, posters, short-form advertising, and bold brand statements. It can work well for packaging and social media graphics where a solid, friendly presence helps text stand out on busy backgrounds. For longer reading passages, it is likely to be most effective when used sparingly (e.g., as a headline companion) due to its dense texture.

The tone is bold and upbeat, with a friendly softness that reads approachable rather than aggressive. Its dense, rounded forms feel contemporary and a bit playful, projecting confidence and immediacy. The overall voice leans toward energetic display typography—attention-getting, direct, and informal.

The design appears intended to deliver maximum presence with a soft, rounded personality—favoring thick, simplified forms and compact internal space to create strong, cohesive word shapes. It prioritizes display clarity and visual punch over airy openness, aiming for a contemporary, approachable feel in branding and promotional contexts.

The numerals and punctuation shown share the same compact, rounded construction, producing strong uniform color in paragraphs. At smaller sizes the tight counters and closed apertures may reduce differentiation between similar shapes, while at larger sizes the smooth curvature and heavy mass become a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸