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Free for Commercial Use

Sans Normal Kenih 14 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hypatia' and 'Myriad' by Adobe, 'Apres' by Font Bureau, 'Brandon Text' and 'Brandon Text Office' by HVD Fonts, 'Amor Sans Neo' by Storm Type Foundry, and 'Masserini' by Studio Sun (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, confident, modern, headline-ready, display impact, visual momentum, modern branding, emphasis, slanted, rounded, compact, high-impact, clean.


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A heavy, right-slanted sans with rounded, geometric foundations and broadly even stroke color. Curves are smooth and full, with generous bowls (C, O, G) and simplified joins that keep the silhouettes clean. Terminals are mostly blunt and softly rounded, giving the forms a sturdy, compact presence. Uppercase shapes feel slightly condensed and tightly paced, while lowercase forms maintain clear counters and straightforward construction for short-text legibility.

This face is a strong choice for headlines, posters, and short promotional copy where impact and forward motion are desirable. It can also support branding elements—especially for athletic, tech, or contemporary consumer products—where a clean but emphatic voice is needed. It is likely most effective at display sizes rather than long-form reading.

The overall tone is assertive and kinetic, with a forward-leaning stance that reads as active and contemporary. It projects confidence and urgency without becoming aggressive, balancing softness in the curves with strong, solid mass. The style suggests motion and emphasis, making it feel well-suited to attention-grabbing messaging.

The design appears intended to deliver a modern, energetic sans for display use, combining geometric roundness with a consistent slant to add momentum. Its sturdy stroke weight and simplified details prioritize instant recognition and strong presence in branding and advertising contexts.

Round characters (0/8/9 and O/Q) are especially prominent and contribute to a cohesive, circular rhythm across the set. The italic angle is consistent across letters and numerals, helping headings and callouts feel unified and directional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸