Sans Superellipse Gedim 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Poynter Gothic' by Font Bureau, 'Neusa Neu' by Inhouse Type, 'Spiegel Sans' and 'Taz' by LucasFonts, 'Otoiwo Grotesk' by Pepper Type, and 'LFT Etica' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, energetic, assertive, modern, dynamic, impact, speed, modernity, emphasis, display, oblique, rounded, compact, punchy, clean.
A heavy, oblique sans with rounded, superellipse-like bowls and terminals. The letters are built from broad, uniform strokes with minimal contrast and a slightly condensed, compact feel, producing dense counters and sturdy silhouettes. Curves are smooth and full, while joins and apertures stay relatively tight, giving the overall texture a solid, blocky rhythm. Numerals follow the same robust construction, with simple, clear forms and consistent weight across the set.
Works best for headlines, short statements, and prominent labels where bold presence is the priority. It fits energetic branding—sports, fitness, streetwear, entertainment promos—as well as packaging callouts and campaign graphics that benefit from a compact, high-impact italic voice.
The overall tone is fast, forceful, and contemporary—more athletic and headline-driven than neutral. Its slanted stance and thick massing create a sense of forward motion and confidence, suited to messaging that needs to feel active and emphatic.
Likely designed to deliver maximum visual punch with a clean, geometric backbone: rounded superellipse forms for modernity, heavy strokes for authority, and an oblique slant to add speed and urgency. The consistent, simplified construction suggests a focus on strong display performance and clear recognition at distance.
At larger sizes the rounded geometry reads crisp and controlled, while in longer lines the heavy color and tight openings can feel dense, emphasizing impact over spacious readability. The consistent curvature across rounds (C/O/Q, e/c) helps keep the style cohesive, and the oblique angle remains steady across both uppercase and lowercase.