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Free for Commercial Use

Sans Normal Lymug 15 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Telder HT Pro' by Huerta Tipográfica, 'Nitido Poster' by Monotype, 'Anona' by Nova Type Foundry, 'PF Centro Sans Pro' by Parachute, and 'Akwe Pro' by ROHH (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, app banners, sporty, punchy, dynamic, confident, playful, attention, motion, impact, approachability, modernity, oblique, rounded, compact, chunky, soft corners.


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A heavy, oblique sans with broad proportions and rounded, compact counters. Strokes are consistently thick with minimal contrast, and terminals are mostly blunt with softly eased corners that keep the texture from feeling sharp. The italics-like slant is pronounced, giving letters a forward lean while maintaining stable, blocky silhouettes. Curves are built from smooth, swollen arcs (notably in C/G/S and the bowls of B/P/R), and the overall rhythm is dense and even at display sizes.

Best suited to short, high-impact settings such as posters, headlines, promotional graphics, and sports or lifestyle branding. It can work for packaging and large UI banners where a loud, friendly voice is needed, but the dense texture and strong slant make it less ideal for extended small-size reading.

The tone is energetic and assertive, with a forward-leaning stance that feels active and extroverted. Its rounded massing adds friendliness and a slightly playful warmth, balancing the strong, attention-grabbing weight. Overall it reads as modern and sporty rather than formal or delicate.

This design appears intended to deliver maximum visibility with a fast, forward motion, combining a strong oblique posture with rounded, approachable shapes. The goal reads as creating a modern display sans that feels athletic and bold while staying friendly through softened curves and generous forms.

Numerals follow the same chunky, rounded construction, with open apertures and simplified forms that prioritize impact over finesse. Uppercase shapes stay broad and steady, while lowercase forms feel compact and sturdy, producing a bold, continuous line in text. The heavy weight and strong slant create tight visual color that benefits from generous spacing in longer settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸