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Free for Commercial Use

Sans Normal Osger 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream, 'FF Transit' by FontFont, 'Frutiger' and 'Neue Frutiger' by Linotype, 'Ocean Sans' by Monotype, 'Clear Gothic Serial' by SoftMaker, 'Nuno' by Type.p, and 'TS Clear Gothic' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, sporty, contemporary, punchy, impact, clarity, modernity, brand voice, display strength, geometric, rounded, compact, sturdy, blocky.


Free for commercial use
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A heavy, geometric sans with broad, rounded bowls and mostly closed apertures that create dense, compact counters. Stroke endings are clean and squared-off, while curves stay smooth and circular, producing a sturdy, poster-like color on the page. Proportions feel slightly condensed in the lowercase, with a single-storey “a” and “g” and simple, utilitarian letter construction throughout. Numerals are bold and rounded with consistent weight, matching the letterforms’ solid, high-impact rhythm.

Best suited to headlines, short statements, and display settings where bold presence and quick recognition are needed—such as posters, signage, packaging, and branding. It can also work for UI labels or navigation at larger sizes, but the dense counters suggest avoiding long body text at small sizes.

The overall tone is assertive and upbeat, with a friendly, no-nonsense presence that reads as modern and energetic. Its dense shapes and rounded geometry give it a sporty, headline-driven character rather than a delicate or formal one.

The design appears intended to deliver maximum impact with simple, geometric construction: a straightforward, contemporary sans that stays friendly through rounded curves while maintaining a firm, stable stance for attention-grabbing typography.

In the sample text, the tight apertures and large mass make the texture quite dark, especially in long passages, while short lines and large sizes look strong and controlled. The forms stay highly consistent across capitals, lowercase, and figures, reinforcing a unified, logo-ready feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸