Sans Normal Bimad 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Moniak Sans' by Design Komando, 'Prelo Pro' by Monotype, 'Interval Next' by Mostardesign, 'Fact' by ParaType, 'Agent Sans' by Positype, 'Core Gothic N' and 'Core Sans NR' by S-Core, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, ui labels, friendly, modern, confident, approachable, clean, clarity, approachability, modern utility, display impact, rounded, soft-cornered, geometric, open apertures, large counters.
This sans serif has a sturdy, rounded construction with smooth curves and softly cut terminals. Proportions lean geometric, with near-circular bowls (O, Q, 0) and broad, open counters that keep dense text from feeling cramped. Strokes stay even and solid, with gentle joins and minimal sharpness; diagonals (V, W, X, y) are robust and stable rather than delicate. The lowercase shows simple, single-storey forms for a and g, plus a compact, utilitarian f and t, producing a straightforward rhythm and consistent color in paragraphs.
It works well for branding and identity systems that need a friendly but authoritative sans, as well as headlines, posters, and packaging where strong shapes must reproduce cleanly. The open counters and rounded forms also suit UI labels, dashboards, and wayfinding-style text where clarity at a glance matters.
The overall tone is friendly and contemporary, combining a confident heaviness with softened edges that feel approachable. Its rounded geometry gives it an informal, upbeat voice without becoming playful or decorative, making it read as modern and dependable.
The design appears intended to deliver a modern, geometric sans with softened edges—prioritizing clarity, consistency, and a welcoming tone while maintaining enough weight to stand out in display settings.
The numerals match the letterforms with wide, rounded shapes and clear differentiation, especially in 6/8/9 and the open, oval 0. Punctuation and spacing in the sample text suggest a solid, even texture suited to short-to-medium reading lengths where a warm, modern presence is desired.