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Sans Normal Luraw 13 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'BR Nebula' by Brink, 'Geometria' by Brownfox, 'Ava Grand' by Matt Chansky, 'Breno' and 'Morandi' by Monotype, 'Cogenta' and 'Cogenta Text' by SRS Type, and 'Pepi/Rudi' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, confident, friendly, energetic, modern, impact, motion, modernity, approachability, emphasis, geometric, rounded, slanted, blocky, compact.


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A heavy, slanted sans with broad proportions and a smooth, geometric construction. Strokes are consistently thick with minimal modulation, and curves are generous, producing round counters in letters like O, Q, and e. Terminals are clean and mostly squared-off, while joins are sturdy, giving the lowercase a, g, and s a compact, robust silhouette. Spacing appears tight-to-moderate in text, emphasizing a dense, punchy rhythm well-suited to large sizes.

This font performs best in high-impact display settings such as headlines, posters, and promotional graphics where its slanted stance and solid shapes can command attention. It also suits branding and packaging that benefit from a modern, energetic voice, especially for sports, fitness, and youth-oriented campaigns. For longer reading, it is likely most effective when used sparingly for emphasis or short bursts of text.

The overall tone is bold and assertive with an upbeat, sporty lean. Its rounded geometry keeps the color friendly and accessible, while the italic slant adds motion and urgency. The result feels contemporary and promotional, prioritizing impact and momentum over delicacy.

The design appears intended to deliver maximum presence with a dynamic forward-leaning posture, combining geometric roundness with a dense, powerful stroke. It aims to feel contemporary and approachable while still projecting strength and speed for advertising and identity work.

The numerals are chunky and attention-grabbing, with simplified shapes that read clearly at display sizes. Several forms (notably a two-storey lowercase a and a compact, single-storey-style g) reinforce a functional, modern sans personality. The texture is consistent across uppercase and lowercase, creating strong typographic color in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸