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Sans Superellipse Osnek 4 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Iki Mono' by CAST, 'Central Avenue' by Colophon Foundry, 'Cindie Mono' by Lewis McGuffie Type, 'Golden Record' by Mans Greback, and 'Trade Gothic Display' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, ui display, industrial, utilitarian, punchy, friendly, retro, impact, clarity, utility, systematic, rounded corners, blocky, compact, sturdy, high-impact.


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A heavy, blocklike sans with rounded-rectangle construction and softly squared curves throughout. Strokes are consistently thick with minimal modulation, producing dense, even color and strong silhouette clarity. Terminals and joins tend to be blunt and squared-off with eased corners, while bowls and counters read as squarish superellipses; apertures are relatively tight, emphasizing solidity. The lowercase is compact with simple, geometric forms and a single-storey “a,” and the numerals share the same rounded, chunky rhythm for a highly consistent set.

Best suited to short, high-impact text such as posters, headlines, product labeling, and signage where bold shapes and consistent rhythm are advantageous. It also works well for display-sized UI elements, dashboards, and code-like readouts where sturdy, uniform letterforms help maintain alignment and emphasis.

The overall tone is tough and pragmatic with a friendly edge from the rounded corners. It feels industrial and workmanlike—suggestive of labeling, equipment markings, or bold UI readouts—while still approachable rather than aggressive. The dense weight and squared curves also bring a subtle retro, arcade/terminal flavor.

This font appears designed to deliver maximum impact within a strict, regularized structure, using rounded-rectangle geometry to stay legible and cohesive while softening the tone. The emphasis is on uniformity, strong silhouettes, and a compact footprint for assertive display typography.

Spacing appears uniform and disciplined, reinforcing a grid-based, technical feel in text. The design prioritizes strong recognition at a glance over openness, so counters can appear compact at smaller sizes, while the bold mass holds up well in high-contrast situations.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸