Sans Superellipse Ibdul 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mothem' by Gerobuck, 'Enaoko' by Marvadesign, and 'Carbon' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, sports branding, retro, playful, punchy, friendly, sports, impact, approachability, retro flavor, brandability, clarity, rounded, blocky, compact, soft-cornered, heavy.
A heavy, rounded sans with a superellipse construction: straight-sided strokes terminate in broad curves and softened corners, producing a rounded-rectangle silhouette throughout. Counters are generally narrow and vertically biased, with small apertures in letters like C, S, and e that keep forms compact and dense. The stroke weight is uniform and solid, with minimal modulation, and the overall spacing reads tight and poster-like at display sizes. Numerals and capitals follow the same sturdy geometry, with simplified internal spaces and strong verticals that emphasize stability and impact.
Best suited to display work where strong silhouettes matter: headlines, posters, title cards, and bold editorial callouts. It can also work well for logos, labels, and packaging where a friendly but forceful presence is needed, especially at medium to large sizes.
The tone is bold and approachable, combining a vintage sign-painter feel with a modern, sporty punch. Its rounded edges soften the mass, giving it a friendly, slightly whimsical character while still feeling assertive and attention-grabbing.
The font appears designed to deliver maximum impact with softened geometry—creating a sturdy, high-ink look that stays approachable. The consistent superellipse shapes suggest an intention to feel both retro and contemporary, with a distinctive, easily recognizable silhouette in branding contexts.
The design leans on squared bowls and rounded terminals rather than circular construction, which gives text a rhythmic, stamped quality. In longer lines the dense counters and tight apertures increase visual weight, so it tends to feel more graphic than conversational.