Sans Normal Lyboz 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel; 'Dexperdy', 'Glembo', and 'Normaliq' by Differentialtype; 'Nusara' by Locomotype; 'Aago' by Positype; 'Moneis' by RantauType; and 'Readway' by Shakira Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, event promos, sporty, energetic, confident, playful, impact, motion, attention, modern display, slanted, rounded, chunky, punchy, compact.
A heavy, slanted sans with rounded, compact forms and a consistently dense color. Curves are smooth and full, with terminals that feel softly blunted rather than sharply cut, while straight strokes keep a sturdy, blocky presence. The italic angle is pronounced and gives the letterforms a forward-leaning rhythm, with wide bowls and tight internal counters that emphasize impact at larger sizes. Numerals share the same rounded, weighty construction, maintaining a cohesive, poster-like texture across mixed text.
Best suited to headlines, short blurbs, and branding where strong impact and motion are desirable—such as sports identities, event promotions, packaging callouts, and bold social graphics. It can work for subheads and short blocks of text when size and spacing allow the tight counters to stay clear.
The overall tone is assertive and upbeat, with a forward-motion feel created by the strong slant and thick strokes. It reads as sporty and promotional—loud, friendly, and attention-seeking—without becoming ornamental. The rounded shapes soften the aggression of the weight, giving it a more approachable, playful edge.
The design appears intended to deliver maximum punch with a sense of speed and friendliness: a thick, slanted sans that stays clean and rounded for contemporary display use. Its consistent weight and smooth curves suggest a focus on bold legibility and brand-forward presence rather than delicate detail.
Round letters like O/C/G and the bowls of B/P/R appear generously circular, while diagonals in A/V/W/X and the angled joins in M/N reinforce a dynamic, leaning cadence. The Q’s tail and several lowercase forms add small, distinctive cut-ins that create texture and help prevent the design from feeling overly geometric.