Sans Superellipse Olgel 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Camber' by Emtype Foundry, 'Neusa Neu' by Inhouse Type, and 'Duran' by The Northern Block (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, editorial, modern, clean, friendly, efficient, neutral, clarity, approachability, systematic geometry, everyday utility, rounded corners, soft terminals, open counters, compact apertures, monoline.
This sans shows a monoline construction with broadly rounded rectangles and superellipse-like curves shaping bowls and counters. Corners are consistently softened, and terminals end in blunt, slightly radiused cuts rather than sharp points. Proportions are straightforward and functional, with wide, rounded capitals and a lowercase that stays compact and even in rhythm; curves and straight segments transition smoothly with minimal modulation. Numerals follow the same rounded-rect geometry, producing clear, stable silhouettes in text and in isolated glyphs.
It is well suited to UI and product typography where clarity and consistency matter, including navigation, settings, and dashboard readouts. The sturdy, rounded forms can also work for signage and wayfinding, and for editorial or marketing layouts that want a modern sans with a softer edge.
The overall tone is contemporary and approachable: technical enough for interfaces and systems, but softened by rounded corners that keep it from feeling harsh. It reads as calm and pragmatic, with a mild friendliness that suits everyday communication.
The design appears intended to balance geometric structure with comfortable readability by using superellipse-driven bowls, softened corners, and even, low-modulation strokes. It aims for a dependable, general-purpose voice that stays neutral while adding a subtle warmth through rounded details.
The sample text highlights steady spacing and consistent stroke behavior, with open forms that remain legible at larger sizes and a cohesive, slightly squared-round personality across letters and figures. The design leans on geometric clarity rather than calligraphic influence, keeping curves taut and corners controlled.