Sans Superellipse Felud 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, labels, sporty, urgent, confident, impactful, energetic, maximum impact, space saving, modern display, dynamic emphasis, condensed, oblique, rounded, compact, blocky.
A compact, condensed sans with a strong oblique slant and heavy, uniform stroke weight. Letterforms are built from rounded-rectangle geometry: curves are smooth and bulb-like, counters are tight, and joins are blunt rather than calligraphic. The proportions favor tall, compressed shapes with short extenders, producing a dense texture; terminals are generally squared with softened corners, giving the design a sturdy, engineered look. Numerals follow the same compact, rounded construction for a cohesive set.
Best suited to short, high-impact settings such as headlines, posters, sports and fitness branding, packaging, and bold labels where a compact footprint is useful. It can also work for UI banners or callouts when you need a strong directional, energetic voice, but it’s less ideal for extended reading due to its dense color and tight internal space.
The overall tone is fast, forceful, and contemporary, with a dynamic forward-lean that suggests motion and momentum. Its dense black presence reads assertive and attention-grabbing, leaning toward sporty and promotional styling rather than quiet neutrality.
The design appears intended to deliver maximum visual impact in a narrow width, pairing a forward-leaning stance with rounded-rectangular construction to stay bold and modern while remaining highly legible at large sizes. Its geometry prioritizes compactness and consistency to create a unified, high-energy display texture.
In the text sample, the tight counters and compressed width create a dark, continuous rhythm that holds together well at display sizes. The slant and compact spacing can make long passages feel intense, but it excels when used to create punchy emphasis and strong typographic silhouettes.