Sans Superellipse Dobuz 1 is a regular weight, narrow, monoline, upright, tall x-height font.
Keywords: ui labels, wayfinding, dashboards, packaging, posters, modern, technical, clean, utilitarian, friendly, space saving, clarity, system design, modern branding, neutral voice, rounded corners, condensed, soft geometry, open apertures, compact.
This typeface is a condensed, monoline sans built from rounded-rectangle and superellipse-like forms. Strokes maintain a consistent thickness with smoothly radiused corners and gentle curve transitions, producing a soft, engineered geometry rather than a purely circular feel. Proportions are tall and compact, with a high x-height and relatively short ascenders/descenders, keeping text visually dense and efficient. Counters are simple and fairly open for the width, and terminals are mostly blunt with rounded ends, giving a controlled, uniform rhythm across letters and figures.
It performs well in UI labels, menus, and compact editorial settings where vertical economy and a consistent stroke are useful. The clear, rounded construction also suits signage and wayfinding, as well as technical dashboards and product branding that wants a modern, approachable voice. At larger sizes it can work for headlines and posters where its condensed, geometric rhythm becomes a distinctive graphic element.
The overall tone reads modern and functional, with a calm, understated friendliness from the rounded geometry. It evokes contemporary interface and product typography—precise and systematic, but not harsh—making it feel dependable and approachable at the same time.
The design appears intended to deliver a space-efficient sans with a cohesive, rounded-rect geometry that stays clear in continuous text. The high x-height and uniform stroke suggest a focus on straightforward readability and consistent typographic color in practical, system-oriented applications.
Round shapes (notably in C, O, Q, and 0) lean toward squarish ovals, reinforcing the superelliptical construction. The uppercase set appears especially narrow and vertical, while the lowercase keeps a compact, highly legible silhouette. Numerals match the same rounded, monoline logic and feel consistent in color and spacing.