Sans Superellipse Gigir 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Herchey' by Ilham Herry, 'Neusa Neu' by Inhouse Type, 'Brainy Variable Sans' by Maculinc, 'Azbuka' and 'Trade Gothic Display' by Monotype, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, sportswear, industrial, retro, friendly, assertive, sporty, impact, clarity, approachability, geometric consistency, display emphasis, rounded corners, compact, blocky, high contrast texture, stencil-like notches.
A compact, heavy sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and dense, with broad interior counters that stay open at display sizes, while apertures (notably in C, G, S, and e) are shaped with squared-off curves and short, flat terminals. The lowercase is sturdy and simplified, with single-storey forms and minimal modulation; the i/j use round dots, and joins and diagonals in letters like k, v, w, and y stay blunt and geometric. Numerals follow the same squared-round logic, with the 0 as a tall rounded rectangle and the 1 built from straight, chunky elements.
Well suited to headlines, posters, packaging, and brand marks where a dense, high-impact word shape is desired. It also fits signage, labels, and sporty or industrial-themed graphics that benefit from rounded, sturdy letterforms and clear numerals.
The overall tone is bold and utilitarian but softened by rounded corners, giving it a friendly industrial feel. It reads as confident and sporty, with a hint of retro signage or equipment labeling rather than delicate editorial refinement.
The design appears intended to deliver maximum punch with a controlled, geometric voice—using rounded-rectangle forms and blunt terminals to stay approachable while remaining emphatic and highly legible at large sizes.
At text sizes the heavy weight creates strong texture and tight rhythm, so it performs best with generous tracking and leading. The superelliptic curves and flattened terminals keep the design consistent across caps, lowercase, and figures, producing a highly uniform, logo-ready silhouette.