Sans Superellipse Solim 6 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Imago W1G' by Berthold, 'Fatimurgeno' by Greentrik6789, 'Danos' by Katatrad, 'Gosent' by NamelaType, and 'Caffie Lofie' by Timelesstype Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promos, sporty, dynamic, punchy, modern, confident, impact, motion, branding, emphasis, display, oblique, soft corners, blocky, compact apertures, tight counters.
A heavy, oblique sans with broad proportions and rounded-rectangle construction in many curves. Strokes are thick and fairly even, with subtly softened corners that keep the forms from feeling harsh despite the mass. Bowls and counters are compact, and apertures tend to be narrow, giving the letters a dense, high-impact texture. The uppercase is sturdy and squared-off in rhythm, while the lowercase maintains simple, geometric shapes with a clean, single-storey feel where applicable; numerals follow the same bold, slanted, blocky logic for a consistent color across lines.
Best suited to large-scale applications such as headlines, posters, sports and event graphics, retail promos, and packaging where impact and speed are priorities. It also works well for short UI or signage labels when set large enough to preserve the inner openings.
The overall tone is energetic and forward-leaning, reading as athletic and promotional rather than quiet or bookish. Its chunky silhouettes and tight internal spaces create a loud, assertive voice that feels built for emphasis and motion.
This design appears intended to deliver maximum emphasis with a streamlined, geometric sans voice, using a strong oblique stance and softened geometry to suggest motion without becoming sharp or technical. The consistent, compact counters and sturdy proportions support bold messaging and logo-like wordmarks.
The strong slant and wide set make spacing and line breaks feel active, and the heavy joins create a continuous, poster-like texture in longer text. At smaller sizes, the tight counters and narrow openings may reduce clarity, while at display sizes the shapes look intentional and graphic.